Start Over
The individual is the seat of a constant process of decantation, decantation from the vessel containing the fluid of future time, sluggish, pale and monochrome, to the vessel containing fluid of past time, agitated and multicoloured by the phenomena of its hours.
Samuel Beckett Proust 3 Dialogues
Paul Uhlmann employs a methodology of chance and destruction, agitation and opposition through painting to allow the work to develop its own form - its own image. Initial investigative attempts are often abandoned, destroyed or painted over as the primary motivating form struggles to emerge. Such destructive restlessness is reflected in the pace of life in contemporary society, the obsession with the new, the constant destruction and renewal of cities.
The artist takes photographs of his primary source material: images of seas, skies and atmospheres from the South West [of Australia], and employs these images as research material to support his search. What is brought forward is a remnant of this impossible search for articulation of the intangible, the incomprehensible, the indeterminate. It is never definitive, the project has never arrived, what we see on exhibition is a marker of a continuous process.
His work is held in collections at the National Gallery of Australia, the National Gallery of Victoria, the Art Gallery of NSW, the Australian National Library, the QLD and NSW State Libraries, the City of Bunbury, the City of Fremantle, Edith Cowan University, Australian National University, Bank West, Art Bank and the Amcor Paper Awards Collection. Since 1996 he has been Program coordinator of the Visual Arts Program, Edith Cowan University, Bunbury Campus, Western Australia.
Hallucinations an exhibition of paintings and digital prints by Paul Uhlmann at PICA's west end gallery, PICA 30.10.02 24.11.02
Copyright Notice
All photographs © Paul Uhlmann 2002. Reproduction, transmission, performance, display, rental, lending or storage of this image in any form or in any retrieval system is prohibited without the written consent of the copyright holder.
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